A Night Out On The Town with the Ladies of Luna…

The first of several Season 11 Kick-Off Events is finally here!

Start your Labor Day weekend right by joining the Lunaticas as they host a night out on the town, and the first event of their new NOCHE BOHEMIA (Bohemian Nights) Series.

This unique new series is dedicated to featuring the diverse range of Latina Talent in Chicago. At these Noche Bohemia events you will see all kinds of talent from the various artistic disciplines ranging from: music, dance, story-telling, burlesque, and poetry to clowning and acrobats—and everything in between. This is the place where Latina artists that we either: a) haven’t been able to work with formally in our productions or education programs or b) artists who are Luna Friends/Company Members,  whom we have either worked with before or have long supported our work —  can share/test out their new work with our audiences. We strongly believe their original art is groundbreaking/important/fun/needs support from Chicago’s All Latina Theatre Company. The Noche Bohemia series is a safe space where these artists can both develop and perform their work/art in front of a live audience, and also receive feedback in a non-formal way. In turn, these nights are audience engagement opportunities for us, with the hope that the audience can mingle with Teatro Luna and the performers–get to know us all in a more personal and easy going setting that our formal productions (then again, if you have ever been to a Teatro Luna show, you know were not at all that formal!). Basically– we want to hang out with you!

As Teatro Luna continues to grow it’s National relationships and reputation, we have a strong desire to remain committed to Chicago talent (traditional theatre and beyond), and this series is one of the ways we will continue to foster the growth and access Latina performers have with our amazing (and growing) audience. We can’t cast everyone in our shows or accept them in our programs– (and besides some of these ladies are THE experts anyway)– this is just another (very fun!) way to continue to give back and build new relationships with Latinas in the Arts. And to be honest, any excuse for an event we will jump on!

The first event in the series is called: BAJO LA BELLA LUNA / BEAUTY IN MOONLIGHT and takes place at WICKER WELL (1637 W. North Avenue) from 7-10pm — or later on  September 1, 2011.

Join us for performances by: Artistic Associate Kristiana Rae Colón, Esmie “Amorpoesia” Cuevas, Ivelisse Diaz, Sophie Minx, Sandra Posadas & Anjee O, and our Headliner RUBY YO. (Photos and links to their web presence way below). Tickets are $20 and all funds support the work of our ambitious 11 season (both productions and education programs). You can purchase them here: http://bit.ly/lalunabella. Please consider purchasing a ticket even if you are unable to attend. 

Continue reading


January PlayLabs-Death of a Salesman and Art as Inspiration!

Happy New Year! Hope everyone enjoyed the holidays–I’m happy to be back with an exciting synopsis of our January PlayLabs. As always, there were some wonderful scenes read and some great discussions! So first, we’ll start with:


Our reading assignment was “Death of a Salesman” by Arthur Miller. The last time I read this play was in high school, when I was a 17-year-old wondering why we were reading about this old man loser…what did this have to do with me at all? Fast-forward to years later, and I’m blubbering through this play as I’m reading it…why did it hit me now? The same words kept being repeated throughout the discussion–“broken dreams”, “failed goals” “loss of hope”.  We all agreed that the character of Willy Loman served as the ordinary everyman trying to be extraordinary by being “well-liked”.  We compared the loss of Willy’s dreams to the loss of the American Dream–the hard realities that we all have to go through in life’s journey (which is why Willy Loman is a more poignant character at this stage in life than as a teenybopper trying to get an A in English).

“Death of a Salesman” is structured differently than the other plays read in our labs–in this case, Miller used flashbacks as Willy’s memories and entwined them with the current-day action.  One example of this technique is early in the play, when Willy is playing cards late at night with his next-door neighbor and he remembers a conversation he had with his late brother.  As the memory progresses, Willy starts talking to his brother out loud, in present-day, and his neighbor grows confused, then concerned with Willy’s behavior.  An embarrassed Willy ends up running the neighbor out of his house.  The participants all agreed that the technique of integrating Willy’s memories moved the action forward more effectively than just using plain exposition.

According to David Ball, in his book “Backwards and Forwards”: “Action occurs when something happens that makes or permits something else to happen”.  According to Ball, action is one event that leads to another event, and these actions are what makes up any play.  For example, you can say “How are you?” to a friend, and she can reply “Fine.”.  The “How are you?” is the first event that comprises the action–the “Fine” is the second event that completes the action.  As Ball says, “The first leads to the second; the two compose an action”.

Ball has assigned terms to these events that make up an action–the first event is called a “trigger” and the second event is a “heap”.  Again, an event is anything that happens–but it takes a subsequent event that happens as a result of that FIRST event that comprises an action.  Now, according to Ball all plays can be mapped out by their action, not only from beginning to end, but backwards–from the end to the beginning, all based on the “triggers” and “heaps”.

We will be discussing action in further detail in our February PlayLab–we will be analyzing our next reading assignment and the actions within the play to further understand triggers, heaps, etc.  It should make for a great discussion–I’m looking forward to it!

This month’s writing exercise was:



The scenes that were presented really benefited from the change in location–the characters were more clearly drawn, and there was definitely more action within the scene, instead of just exposition or talking heads.  I think there is definitely some room for expanding on these scenes, if the participants wanted to do so.  That’s the most exciting part of the PlayLab 1–seeing where someone can expand on their work and start to write more…either about a character, or a situation.  We are now beginning to work on projects that will lead to a one-act play by the end of the session.  I’m looking forward to seeing these one-acts develop over the next few months!

Keep up the good work, ladies!

PLAYLAB 2- January 12th

Our assignment for this lab was:


We had some fun scenes based on this exercise–participants had playful ways of incorporating the painting into their scene.  Whether it was literal (referencing the actual painting within a hilarious scene about a high-school field trip to an art museum); or figurative (a surreal scene about a magical parrot or a scene about profession of love before an arrest), it was an entertaining night!  The best part is having new artwork to love now as well!

I’m excited to announce that THREE of our PlayLab 2 participants have completed their full-length projects.  Two of the participants, Kristiana Colon and Petrucia Finkler, will have table readings of their plays read at Teatro Luna in late February/early March 2010.  I’m so excited to attend these readings, as I feel I’ve only caught glimpses of these fabulous plays, and I’m ready to hear the whole play read out loud.  A table reading is such a valuable tool for a playwright–when you’re dealing with dialogue, it’s so important to have other people read your work out loud.  Sometimes a monologue is brilliant tragedy on paper, but when read by an actor turns into melodramatic tripe.  Also, it’s important to see how the play “moves” when read aloud–will the actors be able to catch what you’re trying to accomplish?  Will the plot be clear?  Will you be able to relate to the characters?

Our third participant, Mishelle Apalategui, is having her play, “Shiny Boxes”, produced by the Dream Theatre Company in February.  The information on this show is below:

by Bil Gaines & Mishelle Renee Apalategui

Thursday, February 4 through Sunday, February 21, 2010 at Dream Theatre 556 W 18th Street.
Performances run Thursdays, Fridays and Saturdays at 8:00PM, and Sundays at 7:00 PM.
Street Parking is available. Tickets are $15-$18.

773-552-8616 / annainthedarkness@gmail.com


I can’t wait to see it!

As long as I’m plugging shows, last week I was able to catch another show written and performed by two of our PlayLab 2 participants–Lorena Diaz and Wendy Mateo make up the comedy group Dominizuelan, and their current show is running at ioChicago:

Dominizuelan Presents: People in the City

Thursday nights until 2/25 at 8PM in the Del Close Theater

Tickets are $10.00

For more information, call the iO Chicago Theater Box office at 773.880.0199 or visit the Dominzuelan website at http://dominizuelan.com.

You do NOT want to miss this show–it’s hilarious, fun, and a STEAL at only $10.  These ladies will be also writing and performing in the next Teatro Luna show, “Multiple Americas” in May, so get a head-start in checking them out.  You will NOT be disappointed–I was literally crying from laughing so hard!

February’s PlayLabs are when the 10-minute play festival submissions are due, so I’m DEFINITELY looking forward to those labs.  I can’t wait to read what the participants have written based our our MOON theme.  We are going to have some very interesting pieces to present, and I’m also very excited about working with the Directors Lab as well, as they will be directing the 10-minute plays chosen for the festival.

As always, I welcome comments, suggestions, etc for the blog.   Thank you for reading, and looking forward to catching up with you in February!